![]() ![]() The second sumi rice paper is sized rice paper. I do encourage you to do so, as the sooner you start working on unsized rice paper the earlier you will discover the mysteries of this paper. This does not mean you can not use unsized rice paper right from the very beginning of your apprenticeship. But as it is usually the case, spontaneity requires technique and mastership, and to achieve this you need in turn time and perseverance. It is the rice paper of genuine inspiration. I like to call unsized rice paper the enlightening rice paper, as it is truthful to the moment. As the brush touches the paper, it experiences a certain resistance on the slight rough texture of the unsized rice paper and this is the principle of a spirited interplay of brush with paper. As it soaks the ink and colors deep into the paper, the ink shines inwardly, unlike sized rice paper where the colors stay on the surface.įor many calligraphers, raw rice paper is the best of papers, because it energizes the brush handling. If used for multiple washes make sure that the last wash is almost completely or totally dry before you apply a new layer in so doing you avoid bleeding. It is the best sumi-e paper for one ink layer paintings. It responds highly to vigorous brush work with a soft sheep’s hair brush, displaying vivid, energetic and vibrant brush strokes. As it is highly absorbent, it requires a firm and experienced brush handling, fast movements of the brush, and a high moisture control, otherwise ink and colors will run. But this is the tricky side of unsized rice paper. Unsized paper is best for spontaneous painting with bold and fast brush strokes in the abstract style, more like the Zen way or paintings of the Chinese Southern school. The biggest difference between both papers is their absorbency degree, which determines a very great deal the spirit and life of the brush work and ink play. Sized or unsized paper, what is the difference? You can also find semi-sized rice paper which combines the qualities of both still absorbent but less diffusive than sized rice paper. The second one is sized rice paper, which is less absorbent because it is coated with an alum solution. The first one is unsized rice paper, sometimes called raw rice paper, which is absorbent with a soft but slightly coarse texture. Sumi-e painters and calligraphers use mainly two kinds of rice paper for their art performance. In order to achieve the expression you have in mind you should careful select the right sumi rice paper and know its characteristics. Another one is the painting surface you choose. Mastery in brush handling is one of the requirements. I will describe their unique qualities, show how they react differently and explain what degree of mastery each requires.Īmong artists of traditional Chinese and Japanese painting a constant discussion has been going on about how to best bring out the different ink shades in sumi painting. Sized and unsized rice paper are the main types of rice paper used for sumi-e and calligraphy. Contributions- Share Your Heart Sutra Copy.Kensho-Zen Painting- Seeing One’s Nature. ![]()
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